Jul 162015

Dr. Andreas Fischer
Helmholtz Association

JUnQ, 5, 2, XXIII–XXIV, 2015

Science is not always clear. Take for example the robust climate change debate: “A big threat for humankind” says the one side, “Complete nonsense” says the other. How many meters is the sea level actually rising? And what about the extreme weather events, are they becoming more frequent or not? These are all questions both experts and laypeople are arguing about. After all, scientists agree about the existence of climate change itself, whereas its impact still splits the scientific community. But when even science has no clear opinion, how is the broader populace supposed to have one? Over time, doubts creep into both public perception and our trust in science.

Read the full article here: A Question of Mediation

Jul 312014

W. Seuntjens

Dutch Academy of ‘Pataphysics, Amsterdam

Received 25.03.2014, accepted 18.06.2014 published 31.07.2014

JUnQ, 4, 2, Article – Rapid Communication, 18-27, 2014

Symmetry is an esthetic quality both in art and in life. Symmetry is generally associated with beauty, evolutionary fitness, and perfection whereas asymmetry is associated with the lack of beauty, diminished evolutionary fitness, and imperfection. The physical aspect of praying behavior is almost exclusively bilaterally symmetrical. In the Christian tradition, praying with hands held together can be done in three ways: symmetrically, quasi-symmetrically, and asymmetrically. In the history of Christian art the Virgin Mary and Mary Magdalene are undoubtedly the two most frequently depicted women. Contrary to expectation, the praying postures in which the Virgin Mary and Mary Magdalene are depicted are not random. The Virgin Mary prays most often symmetrically whereas Mary Magdalene prays predominantly nonsymmetrically (first rule). Moreover, both Marys pray mainly symmetrically in depictions of pre- and post-Passion scenes whereas they pray mostly nonsymmetrically in Passion scenes (second rule). The exception to the second rule is the theme of The Penitent Mary Magdalene, in which Mary Magdalene is depicted mostly praying nonsymmetrically (third rule). As a tentative explanation of these differences it is proposed that: (1) The Virgin Mary is for the most part depicted symmetrically because she is the epitome of serene perfection whereas the more often nonsymmetrically depicted Mary Magdalene is the embodiment of emotional perfectability. (2) In Passion scenes both Marys are shown mainly in nonsymmetrical praying postures because of the extreme emotionality whereas in pre- and post-Passion scenes they both display the more beatific symmetrical praying postures. (3) The Penitent Mary Magdalene is generally depicted in the emotional nonsymmetrical praying posture because in that particular part of the post-Passion period Mary Magdalene’s sainthood was still in the balance.

Mary Symmetrical and Mary Nonsymmetrical